Wiener Konzerthaus

Otto Katzameier • Katharina Hirschmann • Antanina Kalechyts

Black and white photo of Arnold Schoenberg sitting at a piano and writing notes in a patitur
Arnold Schönberg, Los Angeles, ca. 1935 © A Arnold Schönberg Center
Black and white photo of Arnold Schoenberg sitting at a piano and writing notes in a patitur

Serenades

Severin Neubauer, clarinet
Elena Biosca Bas, bass clarinet
Samuel Toro Pérez, guitar, electric guitar
Erika Hörwertner, mandolin
Yamen Saadi, violin
Robert Bauerstatter, viola
Stefan Gartmayer, violoncello
Otto Katzameier, baritone
Antanina Kalechyts, conductor

Katharina Hirschmann, presentation

Arnold Schönberg: Serenade op. 24
Viola Falb: New Work (UA)
Lukas Haselböck: Tränenmorgen. Serenade für Bassbariton und sechs Instrumente nach Friederike Mayröcker (UA)

We tend to associate the genre of the serenade with light music – for instance, a serenade played at the banquet of a wealthy doyen. Arnold Schönberg incorporates this idea and moves beyond it at the same time: in his Serenade, op. 24, he combines the modern compositional style of using tone rows with traditional forms and popular characters. Can such an experimental approach still inspire us today? Viola Falb and Lukas Haselböck answer this question with their new compositions.

Free admission!
Online reservation required

5.30 pm: Curator’s tour with Therese Muxeneder
through the exhibition “Listening to Love with Schönberg” (reservation required)

Venue

Arnold Schönberg Center

Zaunergasse 1-3
1030 Wien

Current Dates

  • Tue. 15 Oct 2024, 6:30 p.m.